Nathanielclark.org

So despite the heat and the myriad of other difficulties, I have finally gotten this nathanielclark.org finalized- or near to it. Must do some link checking, et al; but otherwise: ported the ‘blog over- tried wordpress as a ‘blog engine last night, but as it is all in php, and I am not (at least as of this writing), I quickly returned to the relative comforts of blogger.

A lot to do, but I think I might try and find some ocean to re-baptize me. But I am sure that this Labor Day will not be free of labor.

more later?

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I Can’t Stop Listening To This Song

Prepping for China

Prepping for China


Getting ready- small, agile laptop. Online backups we hope we can access. Installing server on laptop to run dev sites. Drinking water.

It Might Just Be A Great Day

Off to a soaring start, though sleep is still a corrugated surface. Packing it up, packing it in, trying to streamline yet still be comprehensive. Thinking that expectations are like putting a soft blanket on the future, but the future is like the cold vein of air that inevitably creeps in. Also thinking:

A mode is just a sequence of steps
– Nathaniel S. Clark

Trying to weave some new modes from old thread, to mix metaphors joyfully. The wind is blowing; it’s going to be tumultuous.

In Bloom

I keep forgetting to mention (to the noosphere in general) the “bloom”: here in the palm-and-desert aerie, we have the blessing of an early bloom.

This is always a beautiful shock to my inner-climate-sense, since I grew up in {was forged in the Iroquois fires of} Upstate New York {and also subsequently in the Mohican Valley of Wastefield, MA} where February is still bitterly cold, and March is, more often than not, a sluggish and grimy old Lion. Meaning: my inner senses do not ever expect to see soft green buds, light purple umbrella-flowers, explosions of flower-cones, or rounded peaks of bell-like petals dotting the landscape. But here they are, in this beautiful hybrid world of Southern California.

Walking through our favorite desert-in-miniature a few days ago, we were impressed to see the Yucca bell-towers, the Nightshade, the African Violets, and the feral spike-balls of the Wild Cucumber. And, while not exactly a flower (though bearing a small tuft of flowers at the end of a stalk), the black sage has run rampant, weaving tendrils of its particular dry desert spice through the warm air.

I can’t help but wax a little poetic – it puts me in such a reverie, even while remembering it.

More to write, more to remember- but the day has started, so here we go.

All Tomorrow’s Parties

Sometimes I think that these days are the compressed moments seen quickly, from the corner of the eye, in the half-light of the past… a moment of falling asleep, or of seeing the black window and thinking that it could be anywhere outside. Tonight, outside, it’s a rascal vein of cold air, slipping up through the canyons; inside, it’s one of those nicest pools of calm- baby sleeping, daughter sleeping, wife in the bath, dishwasher humming, pencil lines and modal scales falling away, and one soft candle of light, here by the laptop screen. There is a comfort that pervades the palm tree aerie tonight. Which is uncommon. Which is wholeheartedly welcome.

I could move in so many different directions right now. I suppose that is part of my quiet joy – a moment of implicit potential always makes me smile, and the ideas are all jockeying for position in line. In the end, I will probably leave them- all of them. It is too late, and I am too far gone. But it is certainly nice to have them.

We are capable of seeing our future, aren’t we? We can, should we choose, look ahead and see exactly where we’re going, right down to the texture and quality of the air, at night, some decade hence. I know this because I have seen this day, this night, before- and I knew (somehow, somewhere, deep within) that I would experience this. I feel this is one shard of a vision from a night, long ago, in my Easthampton attic. For one moment, I knew New York City was outside my window. Then, I could feel the soft, cool jasmine air on my face. And then… well, much more.

If this seems cryptic, I apologize. I do not intend for it to be so. I mean this very literally- we carry within us not just the seeds, but the vision, of our future. For some reason, we do not permit ourselves to be aware of it, most of the time. So it forces itself on us, in flashes, in moments where we lose control of our single focus and let our consciousness blossom… For me, I see many things when I am entrained in a repetitive task. For this reason, and this reason only, the work at the ‘deli’ in Wastefield was a gift- the repetitive motion was like a dream invocation. I was a shaman for 4 to 6 hours a day, that summer.

I do not understand it, I cannot always evoke it, and I certainly cannot force the visions to be more significant. I see simple things for the most part- dropping coins in a stairwell, telling my father it’s his turn to row, or a particular taste of the air on some spring night in California. Of course, it would be eminently more useful to see some major events.

But there it is.

I did tell you that it was late, and I would not be able to extend the proper hospitality to the small pageant of ideas who got all dressed up for the night’s pleasure. A long long year-and-a-half of broken and shell-shocked sleep leaves me defenseless, at least when the caffeine finally trickles out of the system. And it is that time. Bled dry. So to speak.

So I look back through the many dark windows of past nights, hoping to catch my own eye- for I know I am looking forward, somewhere back there, wondering at this taste, this tremor, this vision. And I look forward, again, to see if I can make sense of the shapes in the dark.

Jumbalaya

We’re all survivors, but who transcends survival? -joan baez. History is all about polishing the edges and flattering the ego, so don’t worry about that part of it while you’re doing the work. -todf

Skeleton of Christmas

Sitting in the semi-dark of Lucian’s room, playing with a wordpress app for my new “smartphone” (a title no object deserves when it requires so much instruction and direction), reviewing family, christmas, music, and food in my head (in that order).
Seeing the armature of xmas in a vision and it’s dark, silver and purple and blue. There are other layers- esp. that 50s-tinged jangly postcard and toy skin so close to the surface that it often masquerades as the true face; however, there is (for me) a soft gloaming, a purple shadow on snow, an infinite refraction of a lamp when seen through a web of ice-rimed branches… That is core.

Interesting because this feeling is tied to an environmental vision, not a domestic one.

The Grain of the Voice

Tired.

My ears are buzzing like they’re filled with boar bristles. Electric boar bristles. It’s been a long day.

My throat is a continuous lost sigh.

I am going to bed.

Aural Fatigue

Aural Fatigue

Managed to uncover some novelty tonight, pushed Crucifixion Doll in another direction entirely but one that made me much happier. This is the song I have found entirely unyielding to manipulation lately … I have spent the last 4 sessions, several hours each, really trying to wrench this out of the sonic hole it was in. Terribly frustrated, but then a breakthrough or two tonight. I just couldn’t leave it alone. Then, because success breeds success, happened across 9soundware, which looks/sounds quite promising… an answer to my recent conceptual dilemma: do I dig in and spend some serious time synthesizing/creatively editing and make myself a library of sound and noise? Of course, if I had the time, this would be my preference; but I feel the pressure of trying to get this first EP done, and there is still some significant song-writing to be done. Finding some interesting/powerful sounds/sampler instruments to use as a base would be a definite boon, letting me concentrate on the song while still having something sonically worthy as a base. Eventually, I will have to gather my thoughts on sound-design/song-writing … since I am watching myself work and I am seeing that I find it hard to separate these things — that is, the timbre of a given instrument will indicate a musical direction … change the timbre, change the direction, change the melodies, change the song.

Then, I dug into some old PD patches and got them working, and heard an array of implications go skittering through the soundscape and on into the clouds of implication. I got excited. Which is why I am up later than I promised I would be. Which is why, as usual, work will be a spine-grinding chore tomorrow- my brain will be only half-there.

So it is understandable that I must now say – goodnight. Goodnight.

Recording Research

Tracking down Turbosynth:
http://acapella.harmony-central.com/archive/index.php/t-1717183.html

Trent Reznor, techniques used for The Downward Spiral:
1) http://nothing.nin.net/int6.html
2) http://nothing.nin.net/int20.html
3) http://www.thegearpage.net/board/archive/index.php/t-293539.html

Community Suggestions:
http://www.thegearpage.net/board/archive/index.php/t-293539.html